Artistic Accents in the Heart of Berlin
Established in 1977, the Daimler Art Collection now comprises around 2,600 works by 20th century and contemporary German and international artists. At Potsdamer Platz, art enthusiasts can admire extraordinary sculptures by renowned artists like Keith Haring, Francois Morellet or Mark di Suvero. These colossal works of art are installed throughout the quarter and are accessible to the public.
On the first Saturday of each month the Daimler Art Collection offers guided tours in German through its own exhibition rooms in Haus Huth (4pm). Guided tours in English can be booked on demand, as well as tours which deal with the sculptures at Potsdamer Platz.
Admission is free.
More information and current exhibitions at: www.art.daimler.com
FRANCOIS MORELLET – LIGHT BLUE, 1997
Glowing blue argon tubes stretch across the EICHHORNSTRAßE 3 of the former Daimler Financial Services building designed by Renzo Piano. They climb the entire height of the walls and run across the floor. “Light Blue” is a work by French artist François Morellet. He is known for geometric creations that penetrate the existing architecture, breaking the form of a building. The sculpture is a must-see for anyone with an appreciation for concrete art. Viewing permitted during tours only.
Location: Eichhornstraße 3
KEITH HARING – UNTITLED (BOXERS), 1987
American Keith Haring was one of the first artists to bring graffiti to the canvas, and this graffiti art has made him world famous. In the mid-1980s, Haring began to transfer his style to sculpture – just as striking, just as colourful. One of his steel artworks has been standing at Potsdamer Platz since 1998. Abstract and playful, this dual between two figures is staged in the middle of Berlin. “Untitled (Boxers)” is part of a first group of sculptures that Keith Haring created in Germany in 1987.
MARK DI SUVERO – GALILEO, 1996
Colossal sculptures mostly of steel girders won fame for Mark di Suvero. One of these space-confronting creations stands amidst a water installation at Potsdamer Platz. Despite its huge proportions, “Galileo” appears dynamic – as if the massive T-beams were supporting each other. This work represents Renaissance scholar Galileo Galilei and his conviction of the Copernican worldview.